Burning Man 1995

Excellent early video production:

Burning Man 1995 Video

Burning Man 2016

Theme: Da Vinci’s Workshop

Temple: David Best

Man: Vitruvian

Art: Awesome Blossom

Here's a quick summary:

Hyperlapse

Flying Machine in 4k

Fairytale Photos

Drone View Video

Burning Man 2016 Video

Scott London Photos

Baby Burners of Burning Man Video

I Must Be Dead Photos

What Really Goes On at Burning Man ( 2016 )

Burning Man Buys Fly Geyser with 3799 Extra Acres

This will be a link page for everything that follows this new and dramatic development:

Burning Man Buys Fly Rance

Fly Ranch

Burning Man 2015

Paul Wong made a nice video of Ride the Wind this year:

Ride the Wind Video

Burning Man Through the Years

First posted 096-29-2015:

Burning Man Through the Years - 1986 to 2015

Burning Man 1995

1996 was a major turning point for Burning Man.  Some say it's when Burning Man grew up, others, when it jumped the shark.  I think it jumps the shark (and many other challenges) every year.  The best summary I've heard is, "Burning Man's the thing same every year - completely different.

Anyway, 1996 was before my time on the playa, but here's the best film I've found on the topic:

Burning Man 1996 "No Clemency For The Wood""

Also before my time on the playa:

1997 to 2000

And other content that spans several years:

2001 to 2010

Burning Man Timelapse Pre-2014

Early Wave, pic #8

Burning Temples Through the Years

The Fertile Desert - 2011 Time Lapse

Lake of Dreams - a VERY Cool 2013 Time Lapse

NSFW

Burning Man - Why We Come Home

Embrace Burning Man 2014

The season's started!  Here's a major new project being developed in Reno at the Generator:

Embrace!

"I am.  We are.  It is" - a great summary from Larry Harvey, and a great start to the year:

Burning Man Festival: Charlie Rose - 03-21-14


DREAM - Art & Culture of Burning Man - 05-05-14

And while we're busy getting ready, here's AMAZING set of photos of an amazing event.  Afrika knows How to Burn:

AfrikaBurn - Trickster - 2014

AfikaBurn - The Movie

My favorite quote from the playa: "Burning Man is the same thing every year - completely different." - Guido

Burning Man 2013 - Getting Good At It

First posted 09-05-13:


Lake of Dreams - a VERY Cool 2013 Time Lapse

It's been a dozen burns and I'm finally getting good at it.  How do I know?  I've gained control of the process and the pace.  My prep can be adjusted as needed, the shade and art are all set up before the gate opens, I bank my sleep and am still fresh on Thursday morning.  Oh, and we finally made green on the LNT map.

But along with veteran status comes a degree of desensitization.  I know the standard art forms and when the titty parade happens.  For years I didn't bother watching the Man burn, but the last couple of times the peddle car has made it a whole new experience.  And I guess that's the point.  I'm able to find the subtle in a maelstrom of one damn thing after another.  So Burning Man is still a hoot, just in a constantly changing way. If you've been, you know what I mean.  If you haven't, nothing I write will change that.  But I do like to post of few links.

As often happens, I discover some of my favorite stuff AFTER the burn.  In this case it's a brilliant series of blog posts, and my favorite Burning Man story of ALL time.  Be sure to read all 8 parts.  It's mostly set about a hundred yards from our camp this year so I remember much of what he describes.  It has SO many great lines, and yes, it's full of inside humor, just the thing to capture a veteran Burner's heart:

Burning Noir: a Chance Meeting with Augustus St. George

Another excellent attempt to capture the essence of Burning Man:

How to Dismantle an Anatomic Bomb: A Recently Un-virgined Account of the Burning Man Festival

One of the very best video summaries:

Thank You for the Memories

Another excellent production:

The Burners of Cargo Cult


CoRE photos:

Burning Man 2013 CoRE Projects 360° Panoramas

Aerial view:

Burning Man 2013 aerial video sampler

Great photos:

Burning Man 2013


A journalist who's actually BEEN to the playa:

The futile exercise of writing about Burning Man


A Burgin's take:

55 Things I Learned At Burning Man


Captures the light and smiles, plus the best Ichthyosaur video so far:

Video of Reno projects


50 of the coolest Burning Man art installations ever



Honoring Snoop Dog:  Drill in and Tranzizzle any web page for any topic.  Wikipedia works great.  VERY cool:

Gizoogle

Time-lapse Mountain-top Meta-view


Excellent Music and Video Editing


Burning Man 2013 // Let It BURN Video

Another beautiful one:

We Are Only Human

6 Things The World Could Learn From Burning Man
As The Dust Settles: A Participatory Documentary

Through the eyes of an 81 year old virgin:

Charlie Goes to Burning Man


"Life is a moment to celebrate, to enjoy.
Make it fun, a celebration,
and then you will enter the temple." - OSHO

Temple Guardians

A very Zen time-lapse of the event film:

Lake of Dreams

The People of Burning Man

This will be my 10th year on the playa, and I have a LOT of Burner books - most of them I think.  Yes, this book is only about the people of Burning Man.  There's no sweeping mega-art here.  Fortunately, people are at least half of what makes Burning Man burn.  And this photographer (who I'd never heard of before) obviously "gets it".

Here's what I mean.  Most of the Burner books follow the lead of the ORG, in that they clean up their act (and those in their images) so as not challenge the sensibilities of the average American.  This editing for public consumption means they produce a watered-down version of what happens on the playa.  Hell, some of them don't even include nudity, and believe me, nudity IS part of the Burner experience.  But that's minor.  There is so much more that often gets excluded.  This is absurd (and not in a good way) when radical INclusion is what Burning Man is all about.

Burning Man is a physical expression of all those weird websites you find on the internet.  You can think of it as the internet coming to life in all it's various forms.  It's ABOUT people pushing not only personal limits, but literally the limits in each art form.  THIS is exactly what Julian Cash "gets".

It's as if he carefully studied each subject to understand what they were bringing to the event, and only THEN picked the lens, angle and lighting to capture it.  Yes, there's some Photoshopping here, and he takes liberties in all kinds of ways, but it always seems to be in the interest of the subject, NOT the photographer.  And it's rare to find a photographer who will let his own ego drop away in the interest of his subject's.  I can only think this aspect is Julian's gift to the playa.

Thank you Julian.  I hope to thank you in person one day.

If you wish to own only one Burner book, this is it.

First Burning Man 2002 - A Virgin on the Playa

My First Burning Man 2002 - A Virgin on the Playa

by Alt - sudden.net@gmail.com

Some of my friends asked me to write about my first experience at Burning Man.  So I have.  Anyone who has heard of Burning Man will know the stories.  Many are different.  Here's mine:


Preconceptions

OK, I have to admit... I too had preconceptions.  I read much of the website and talked to people who had attended.  One of my friends was scheduled to meet me there and show me around.  But I already had some idea what it was like.  Or so I thought.

I'd also read the media reports which present Burning Man as sex, drugs, rock and roll.  And they're right.  It is.  And so much more.  At least it was for me.

Driving across the desert from Reno I decided I needed some limits.  I would forgo sex and drugs.  I knew if I "hooked up" with some cutie, I'd just spend most of my time in the sleeping bag.  And if I tried some drug, I would get a distorted view.  Drugs have never been a big thing for me so it was easy to "just say no".  But sex is always a temptation.  My plan was to tease myself (and others) by approaching but abstaining from both.

OK, yes, I DID have a few drinks and as you discover, just a bit of sexual interaction.  But I passed the bong along and most of the time just had grapefruit juice.  So what you're about to read is fairly objective.  Well, as objective as I can make such subjective reality.

As it turned out, abstaining was not a big problem.  Just the environment kept me buzzed, I rarely had time to focus on one event or one person for long.  I was so drawn to the next thing, I simply kept moving.  It's like having acute ADD.

It was recommended that I take a bike, but I like walking so decided not to bother.  This whole venue was only a mile and a half across and less than five miles all the way around.  I could handle that. Again, so I thought.

I took a pedometer to keep track of the miles.  What I didn't realize is how you get drawn in one direction and then another.  I would head for some art event a mile away and end up covering twice that distance as I zig-zagged from one surprise to another.  At times I would totally forget my objective.  And that was WITHOUT drugs.  So you can imagine the typical stoned experience.

In four days I traveled 97 miles or almost a marathon every day.  The adrenaline from that alone was enough to keep anyone distracted from the more obvious pleasures.  But it also adds to the burnout factor - take a bike.


Rules

Also before I get started, I want to review the premise of Burning Man.  And yes, there ARE some rules.  But not many. (Later note: this blog post predates the 10 Principles defined two years later, but as you can see, I encountered many of the ideas which were already common in the culture).

If you read the Burning Man site, you'll realize it's a festival of radical self-expression and desert survival.  It's all about the limits of art and staying alive.  There are a few other rules.

Much of the art is burned near the end of the week.  I take this to show the ephemeral nature of experience and to keep the artist from getting too serious about their creations (the Temple of Joy proved me wrong on that point - another misconception).

Burning is what Burning Man is all about.  One year a guy drove around with a flamethrower and set fire to one piece of art after another.  This happened well before the end of the week so now there's a rule against such burning.  You can only set fire to what you own.  Such is the nature of controlled chaos.  That's how rules come into existence - need.

One other rule is "Leave No Trace".  The idea is to leave the playa (LARGE dry lake bed) in EXACTLY the condition it was in before the party.  If you've ever been to any other large event, you'll be amazed how well this works at Burning Man.  It really IS an eco-friendly event.  Campers lay out black plastic to evaporate excess gray water rather than stain the playa.  Another guy broke a string of beads and was trying to recover EVERY bead in the playa dust.  Impressive devotion. Impressive people.

Another rule is "No commercial transactions or corporate logos".  The idea is to not distort the artistic experience with commercialism.  The only exceptions are the "Arctic Ice Hut" and coffee at the large central cafe' where the proceeds go to charity.  Everything else you need, you bring with you.  But don't worry.  If you forgot something and make it known, someone will probably provide.

This lack of vendors has created a "gift economy" which actually works quite well.  It also has the side effect of quickly breaking down social isolation and dramatically increasing human interaction. This is the secret sauce of Burning Man.  It fosters engagement and produces a unique social experience.

This "feel" starts at the front gate as they take your ticket and say "Welcome Home".  I explained it was my first time, but the guy just smiled.  Soon enough I'd learn why.

As I walked the streets of the city people would call out and welcomed me into their camp.  The first thing they would ask is if I needed anything.  This happened over and over all week long.  It was like THEY wanted to be the first to fill my needs.  It really does produce a great vibe.

There were very few boundaries around any of the camps.  Only in one camp did I see signs on some tents that said "private".  This single exception served to accentuate the inverse.  Where else would you even think to put a "private" sign on a tent?

If people were in the tent and it was open, you were welcome.  If they had what you needed, you probably got it.  Thousands of people become your extended family all at once.  Everyone was looking for ways to give you things.  It really is like coming home.

Another side effect of the giving is the lack of theft.  It was rare to find anything missing from a camp even though people are wandering about constantly and little security is maintained.  The exception is bikes.  I had some reports that people just ride the closest one, so be careful which one you take.

This gift economy is the basis of much of the "performance art" at Burning Man.  In the smaller camps - feet washing, hair washing, body washing, feeding you, offering drink of all kinds, spraying you with water to cool you off - were all forms of giving.  It's a very giving affair.  And it DOES work.  At least for one week out of the year on a remote dry lake bed.

Next rule - sound is limited to less than 300 watts.  Well, except in the big sound camps out at the ends of the city.  THAT music can be heard for miles.  I had someone near my camp with 24-hour music at a reasonable level.  I never had to turn on the radio all week.  It was nice.

Also, you can't drive your car around during the week (except for a few hundred art cars).  A few years ago someone was run over in their tent in the dark.  Plus unneeded driving kicks up the playa dust.  One way to become unpopular is to drive more than five miles per hour at ANY time ANY where in ANY vehicle.

There are a few other rules which respond directly to various problems, but mostly Burning Man is very much a place that doesn't rely on rules.  In general, if you can think of it, you can do it.

Of course, you can't murder anyone.  Nevada and Federal laws still apply, but most enforcement is by the "Rangers" who are Burning Man volunteers.  Rangers arbitrate limits of "artistic expression". Mostly they talk to the parties involved.  If it gets out of hand, they call in the real cops but that's rare. Black Rock City has less crime than any other city of similar sized in the U.S. - not bad for a week of partying.

There were very few real cops, unlike in prior years.  Well, at least not in uniform.  Rumor has it plain clothes narcs are in the crowd to stop drug "transactions" but I saw NO restriction on obvious drug USE.  "Selling" drugs is commercial and against the spirit of Burning Man anyway.  Using is not.

In general, the old mantra of "Do anything you like as long as you don't hurt anyone" was very much in effect.


Demographics

I read the Burning Man web survey before going out and learned several things.  Most "Burners" are between 20 and 50 years old with few teenagers or retired people.  Kids are rare but get LOTS of attention as you might imagine.  The few I saw seemed to be having a great time.

Almost two-thirds of Burners are male but this is skewed by a large gay contingent from San Francisco (yes, there were lots of openly gay females too).

From watching the crowd, I would say most people came as couples or at least most females had a guy friend along.  And finally, there was a large group of singles guys, many of them young and in college.  These are called "frats" and they tend to hang out at Thunder Dome or the rave camps.  Trying to classify such a diverse group might at first seem impossible but once I started asking some questions, patterns emerged.

Burning Man is NOT a cross-section of America.  As a matter of fact, I saw it as very narrowly defined for its size.  It's not just because of the 20 to 50 years old, largely male, higher than average income.  It's something else.

I discovered a MUCH higher level of intelligence than typical, plus a LOT of lateral thinking.  I also found a VERY empathetic set of social values and everyone seemed to have an utterly open mind.  That's NOT typical of most of America no matter what the website says.

I kept being reminded of Jefferson and Voltaire's age of enlightenment.  These people THINK instead of following.  They give instead of taking.  There's lots of slack even if they don't agree with your "thing", whatever that might be.

Are these the kind of people that would lead us into this next millennium?  They are definitely NOT the same group you find at the 7-11 or your local mall.  It's a VERY positive and supportive group. I felt safer here than any other city I've ever been in.

Is THIS why the gift economy works?  Or is it because most of these Burners are so well off?  That DOES make it easier to give.  I'll let you decide when you come and experience it for yourself.

Other patterns also emerged.  Most of these people were very attractive - much more than average.  And it's not just the younger ones.  It was all ages, and was true for both men and women.

I don't want to seem snarky, but there was an obvious bias to exercise.  I guess that's the kind of people who feel good about getting naked in public.

I also noticed a grouping in behavior.  After talking to literally hundreds of people, I broke the groups down as Artists, Hippies, Ravers and Road Warriors.

There were also a few of what Burners call Yahoos.  These are people who come out to watch but don't get involved or contribute.  No costume on Saturday night is a sure sign.  But Yahoos don't matter.  They're a minor factor.  They get ignored or they get involved.  You can't be weird at Burning Man, but you CAN be a Yahoo.  Well, if you work at it.


Artists

The Artists are by far the biggest and most dedicated group at Burning Man.  They spend a lot of money on their art which is the greatest contribution to the overall experience.  Some are very serious, but most are in the spirit of the event and burn their work at the end of the week.  Art takes many forms, and Burning Man brings out the most aberrant.

Artists are also the least likely to party or use drugs.  Most are working on their art much of the time. Most of the art cars require constant attention just to keep them functional. Many of these artists are actually engineers.  Their art takes on more of a technical expression.  There are lots of geeks in this group.  Larry Harvey's original interest was large scale lawn art which sets the tone for the event. Artists are the real founders of the event.  Art is definitely the "soul" of Burning Man.


Hippies

The Hippies tend to be older and more into performance art or "alternative" human activity.  They do much of the giving and nurturing in the gift economy.  They are all about social or eco-interaction. You can tell them from a distance because they have the biggest smiles.

Since I'm on the subject of smiles, they were everywhere.  You just can't help it.  It starts when you get to the gate and continues even after you leave.  These smiles are caused by the things you see and how people treat you.  Everyone smiled a lot, but the Hippies were the hardcore smilers.  Hippies are the "spirit" of Burning Man.


Ravers

The Ravers just want to party.  If you get close, they will hug you and try to "relate" until it's time to party again.  It has something to do with the Ecstasy I think.  But dance is what Ravers REALLY like to do - literally 24 hours a day all week long or whatever part they can stay awake for.

Many had strapped on water bottles with drinking tubes to stay hydrated.  This was by far the best-dressed group but still lots of nudity and paint.  The music was loud and never stopped.  There were hundreds and sometimes thousands dancing at any given club at any one time.  Most of the rave clubs were out at the end music zones.

This is also where most of the drugs were used, especially Ecstasy, LSD, and mushrooms.  I saw more dilated pupils in one place than I've ever seen in my entire life.  And don't forget, they danced. And danced.  And danced.

When their blood finally ran out of sugar to fuel movement, they would fall asleep where ever was handy.  You'd find them everywhere.  They'd sleep where they fell - in the art, in the public areas or in the dust.  Most DID avoid the street to keep from getting run over by the art cars.

Many simply walk out onto the playa with a coat or a blanket.  They did try to sleep near the art because of the bicycles crossing the playa in the dark.

In a couple of hours, they would wake up, eat, drink and dance some more.  The Ravers are the "escape" of Burning Man.


Road Warriors

The last group are the Road Warriors or "frats".  They were smaller in number but had a large profile because of their engaging nature which is itself, a special kind of art.  They also drank a lot of alcohol.

Road Warriors tended to be into the "radical" part of self-expression.  They will do anything they can think of that's politically IN-correct.  Much of Burning Man is like that - meant to shock but not necessarily offend.  Well, not too much.  Even this offense often produces smiles as we laugh at ourselves and the lines we draw.

I put the pyros in this group since they raise a lot of hell and tend to come through the back camps with their groups of mobile flamethrowers and music cars.

Many were college students looking to interact in a more challenging way.  They tended to engage you directly but were never really mean.  The Road Warriors are the "drama" of Burning Man.

OK.  Those are the rules.  Those are the players.  Here's what happened.  Some of the notes were taken real time and I drop into present tense.  I haven't changed it.  Sorry if that's confusing.


Arrival

It took about two hours to drive from Reno, the closest big city to Burning Man.  I got there about 9:00 PM.  The first thing I saw from several miles away was a blue tower in a sea of lights. This thing was HUGE!  A mile and a half across is bigger than you think it will be.

Next, I'm sitting here in line waiting to get in.  There was no wind but a light dust in the air from all the cars.  It's an almost white dust like talc (I see MUCH more of it later on!).

While I'm waiting here, I set the radio to scan on FM.  There are only a couple of stations, but with lots of VERY strange programming.  From listening to the lyrics, much of the music seems to be written for the event.  There are no limits on the words they use OR the sounds in the music.  Some chick is queefing out tunes and talking about different types of cunts in a parody of Vagina Monologues.

Much of it's so weird I have nothing to associate it with and so can't even remember.  This was to be common all through the event.  Stuff so weird you can't remember what it was.  Or maybe that was just from sensory overload.  I'm not sure.

It took me about 20 minutes in a slow-moving line to get to the gate but it will be MUCH worse on Thursday and Friday I'm told.

I've already noticed a different mood, or is it just expectation?  There seems to be a very mellow attitude here.  Even the guys directing traffic are smiling.  At first it makes you want to look around to see what they are smiling about but soon you get it.  They KNOW what you are ABOUT to discover.

I pulled slowly into an open place fairly close to the center of things.  No, I didn't unpack or set up camp.  I wanted to SEE what was going on.  But I had no costume and no paint.  It only took a few hundred yards of walking to realize I was out of place.  I looked like a Yahoo.


First Impression

In only a quarter of a mile I saw more strange forms of dress than at all the Halloween parties I've ever attended in my entire life.  From a mostly naked fire dancer with beautiful breasts to a guy in drag pulling a Barbie doll along on a string.  And like I said, stuff I can't even remember.

Out of respect, I opened my shirt and wore it on one shoulder as I loosened the strap on my headlamp.  I pulled the lamp down over my body to act as a belt holding the shirt in place so the light was coming out of my navel.  Then I pushed it lower.  This left the light at about my crotch so I set it to fast blink.  What would this mean?  I didn't care.  For me, it was simply working with what I had.  I was too enchanted to go back to the car find something more involved.

As I neared the center of the city, the lights got much brighter.  You could see without a light on the main street.  It was an amazing sight - lights and structures wrapped away in arcs in both directions for about two miles.  This is a HUGE place.

Dead ahead in the center was a big blue neon tower which I could clearly now see was the man that was to burn.  He was 40 or fifty feet tall standing on a three-story lighthouse.  He had lasers beaming out in four directions.  He could be seen from almost everywhere.  I'd already seen so many strange things, my head was buzzing.  I needed a break.  I head in the direction of the man to introduce myself.  Compared to the city, it was wide open and mostly empty out on the playa.

This blue giant was only a half a mile away, but it took a while to get there.  Along the way were isolated pieces of art, much of it with movement, lights and sound.  One stopped me in my tracks. It too was amazing to ignore.


Worth the Price of Admission

Someone had created a merry-go-round with many copies of a bust of someone "swimming" out of the surface.  It was spinning quite fast.

The impressive part was that it was lit with strobe lights synchronized to the speed of the platform so that the "swimmer" turned into a collection of moving sculptures, each with its own spot on the rim.  You couldn't see the wheel move unless you looked closely.  All you could see were these people swimming out from the desert in perfect form.

I walked around it trying to get past the illusion but there was not enough normal light.  This thing worked REALLY well in the dark.  On one side was a bicycle pedal.  This was interactive art. I cranked it.  The wheel went faster.  The swimmers swam faster, but stayed perfectly in sync.  A guy behind me said, "this alone is worth the price of admission".

I agreed.

All of a sudden I was startled by a HUGE ball of flame.  A sea dragon which must have been 150 feet long and 30 feet high had stopped behind me and was snorting fire.

I marveled at it's size as I walked along trying to get an idea how big it really was.  It quietly rolled away.  By this time the swimmers were somewhere in the distance.  I would try to find them again over the next few evenings but I never succeeded.  Something always distracted me.  That's how it went the whole time.  Except for Burning the Man and the Temple of Joy, the experience was chaos.  Finding something was mostly luck.


Sublime Chaos

I would head for events and end up somewhere else.  It was hard to stay focused.  It's a singularly indeterminant kind of experience, totally unpredictable and constantly changing.  This chaos makes each person's experience unique and unrepeatable.

Hundreds of pieces of art are mobile and constantly being driven around.  You only see them by luck.  Even "fixed" events change from hour to hour and day to day.  Some presentations are one time affairs, others come and go or happen on no fixed schedule.

I tried to experience these electronic lily pads which were supposed to track you by sound.  Several people told me about them and I DID manage to find them twice, but not when they were working.

Once was in a dust storm which seem to suppress their response.  Another try was in early morning and I think their photocell batteries had already died and were waiting for a sunrise to recharge.  Oh well.  No one can see it all, and even if you could, it would be different an hour later.  Finally, I dropped all plans and mostly did "walkabouts" aborigine style.  Other than that, I let it find me.  But back to my first walk.

I finally made it to the Man and climbed up.  There were a few hundred people sitting around.  Some were playing music.  One was quoting poetry.  He was quite good but I didn't recognize the poem.

This reminded me of the poems I had brought along in my Palm phone.  I had planned to quote different parts of the Rubaiyat depending on random cues from different people.  No, I can't quote the entire 101 verses, but the Palm phone allowed me to look them up quickly.  Once I get a cue I'm usually good for a couple of verses.

So I headed off to the west end of the city for no particular reason.  It was totally dark for a half mile and very peaceful on the playa.  It was a relief to be alone and relax after so much distraction.  The blackness was soothing.


Alone

I took out the Palm and began to read the Rubaiyat out loud for practice.  It was fun.  I was reading to the desert and the stars.  It was a break from sensory overload.

All of a sudden people started clapping and yelling.  I turned my light on.  There were six people sitting in a circle in total darkness.  I said thank you and continued my path and my reading as they dropped into the distance behind me.  The theme this year was "Floating World", and this place really WAS like the ocean.  It was like these six people were bobbing in a boat.  Next, I did some of the "Rime of the Ancient Mariner".  This seemed especially appropriate.

As I got close to the west end, the music got louder.  This was one of the unlimited sound areas and it was VERY loud and VERY techno.  This end of Black Rock City was dominated by a large rave club but other clubs were around too.

One was set up like the red light district in Amsterdam.  Not much clothing here, and a lot of kissing going on.  I stopped in another smaller club and was offered a drink.  I'm a light-weight and was soon feeling very mellow.


Illusion

I wandered into this tunnel of optical and aural illusions - lots of noise and light.  I was trying to figure out where this sound was coming from when I discovered it was a noisemaker right next to my ear.  It was held by a young woman who was watching me search for it's source.  I'd been had.

She laughed at me as I noticed her, then handed me the device and moved on.  This was my first gift and I thanked her as she was leaving.  I took it out into the night air to figure out how it worked.  It was a small version of the African "pebbles in a hollow stick" musical device.  Soon I got the hang of it and moved on to a big fire and party.

As I approached I noticed a large lady with huge breasts mostly exposed.  Her gown was cut just above the nipples and she had an 8-ball held between her tits.

"Nice trick", I said, "and you're always ready for a game".  She laughed and thanked me very formally.  Another guy was standing there and said, "But I wonder what they feel like?".

To that she offered, "I can be bribed", so I handed her my noise maker.  It's all I had but she smiled so I kissed her.  She kissed back and soon I was kissing my way down her neck.  The social barriers were so relaxed.  This seemed like a natural exchange.

Just then I realize the other guy was sucking on her right breast and she was holding the eight ball in her other hand.  I smiled at her, gave her a final kiss and drifted away.  My gift had moved on and so had I. It was a maneuver I would get good at over the next few days.  My idea was to tease but not get involved.  Besides, she wasn't my type but DID appear to be his.


Schrooms

Next, I saw a group of about ten people on bicycles all in a circle around this one guy who was handing something out from a zip-lock.  He was addressing each person in turn.

I walked up to one of them, a blond girl, and asked what they were doing.  She said they were making mushroom tea in their mouths.  "Ahh, psilocybin", I said.

"Yes", she responded quickly.  The guy offered me some mushrooms.  I declined.  "It's OK", she said, "He's not one of us".  "The Burning Man force is not strong in this one", I thought.  She was Raver, not a Hippie.

From here I continued to head back to the center of the city and to my car.  By then it was one o'clock and I'd been out nearly four hours.  It seemed like less.  But I was tired so I just got in the driver seat of my car and slept without unloading anything.


Temple of Joy

I awoke to fireworks in the distance.  I checked the clock.  It was three in the morning but it seemed like I was missing the party.  I drank some water and headed out again.

This time I went to the right and found more chaos of music, lights, and people.  Only the people had slowed down a bit.  One place had a whole bunch of hammocks between polls.  They were all full of sleeping bodies.

Another had a large merry-go-round with a pole in the center.  People were laying with their heads near the center and their feet near the edge.  A guy was running in a circle getting it up to speed.  I hopped on, laid down and took a ride.  It was fun.  This I would come back to later.  I met and talked to lots of people here.  I liked this place.  It as SO simple.  I was a kid again.

Next, I headed out into the playa once more.  It was just getting light and I could see different pieces of art in the distance.  This time I headed for this large building twice as far out as the Man.  This was the Temple of Joy.  As I approached it appeared to be made of some sort of fine wood.

I later learned it was formed from of the jig-saw cut-outs left over from manufacturing plywood dinosaurs.  These cutouts were stapled to two-by-four triangles which were then stacked on a structural frame, but that doesn't describe it at all.

It was about 60 feet tall and looked like it was made of fragile lace.  It was beautiful in the pre-dawn light.  As I got closer I saw a few people inside and also outside writing on the walls.  Some were openly crying.  Others were just quiet and staring.

I stopped to read some of the writing.  Many had said good-bye to loved ones.  Others wrote their hopes and dreams.  Inside were pictures of loved ones, mementos, and final notes. There were big bins of wooden blocks you could write on and toss back in the bin.

Many of you who read this know I'm finishing up a very successful marriage - just not successful enough.  No, I won't get into all the emotional baggage here.  I did that two years ago, but a very good friend suggested I take some special memento to Burning Man and set fire to it.

When my wife and I married, we had matchboxes engraved with our name and the date.  We had lots left over from the wedding and we stored them away.  A few years ago, I found my wife using them to light the BBQ.  That was the first hint I had that my marriage would end.

As I stood there, I realized this temple was built EXACTLY for the purpose my friend had suggested.  She had foreseen the need, and this artist had built it for me.  I would bring the box of matches here.  This was the perfect place to see them burn.  Wedding matches now divorce matches.  It fit.


Lost Penguin

I continued across the open playa.  By the time I reached the west arm of the city, I was feeling very peaceful but also very alone.  I just happened to come out in front of the "Lost Penguin".  It was an open shade structure.

There were several people sitting just inside on couches watching the sun come up.  They welcomed me in.  I asked a young woman who Lost the Penguin?

Her name was Lucy and she said the camp was built to capture lost souls from the playa and give them comfort and chocolate.  The Burning Man spirit was strong in this one.  I could tell by her smile.  Lucy had been a lost soul from Toronto last year.  She had wandered in here.  This year she helped out.

The chocolate was made in a factory in the bay area staffed by autistic people.  The chocolate was good.  So were the people.  I visited Lucy and the others several times in the next few days because of this wonderful welcome.  She never guessed why.  I was just another Lost Penguin.  I like serendipity.  It needs no reason.

Again, I was tired.  So was everyone else.  Sleeping bodies were everywhere.  I returned to my car and unloaded enough stuff so I could lay down.  I slept several hours this time.


Nudity

I awoke to the sound of laughter.  I looked out the window of the car and saw a beautiful young woman totally naked and rubbing soap on her body.  She was talking to someone and laughing.

She was under a make-shift shower just across the street.  A water bag was suspended from three poles above her.  She was standing on a wooden pallet.  Water was dripping from her nipples.  Her pubic hair was dark.

She was so natural and relaxed.  This shower was to become a source of excellent distraction.  Others would shower here.  I'd picked the perfect camp for being a voyeur.

OK.  I might as well talk about public nudity at Burning Man.  Other than shower time, it was rare to see people TOTALLY nude.  But LOTS were "almost" nude.  Some wore paint.  Some wore sunglasses.  One had only a garter - not even the stockings.

Another look I really enjoyed was the scarf tied around the waist.  It didn't really cover much, but I thought it was a cute gesture.  Many were like this.  Others were just topless or had a g-string.  Still others wore nets of different types of material.  And it changed during the day.

Ten o'clock in the morning was the best time for nudity.  Just as everyone woke up, the sun was getting hot.  The warmer it got, the less they wore.

I remember laughing as I walked to the bathrooms one morning.  On that short walk, I'd seen more naked women than I'd seen in my entire life.

Many would just throw a shirt over their shoulders to go to the porta-potties.  Others didn't bother.  And three that morning were out jogging together.  There were LOTS of naked joggers in the mornings, male and female.

No, it's not a nudist colony.  Most of the time only a few percent are naked and even then, more male than female.  But it was just common enough to catch you unaware.  I notice one naked woman sitting in camp nursing a baby.  It was such a natural and beautiful sight.  There were many other great examples of casual nudity.



Water Truck

This was the morning I first saw the water truck.  It would come along a couple of times a day spraying the road with water to keep the dust down.

The truck would honk his horn as it went along.  People would run from their camp throwing their clothes off to catch the truck for a free shower.  As the truck went by, 20 or 30 people would be splashing in its spray, some just catching up, some retiring, totally soaked.  I too took some of my showers this way.  I learn by example.

As the temperature fell at night, the clothes went back on.  It was rare to see naked people late at night, but it did occur.  Now back to camp.


Making Camp

I laid down some tarps, drove over them and wrapped them around my car.  Then I formed a tent with two poles inside.  The sun would be hot soon.  I needed shade.  Plus the afternoon would bring southwest winds - a little or a lot.  I wanted to keep as much dust out of my car as possible.

In an hour my camp was in good shape and I had lunch.  I kept a cold camp and mostly ate sandwiches with guacamole and chips.  I also had lots of fruit and veggies in the cooler.  My camp was simple but efficient.  I had moved in.  I took another nap but never did catch up on my sleep.  On average, I slept only 5 hours a day while on the playa.


Polyamory

Next was a meeting of the Polyamorous Group.  Polyamory means many loves, but honestly.  Being freshly separated, it was one of my interests.  The meeting started on time.  There were about 25 people and a very lively discussion.

Some of these people had been living the lifestyle for years, others just trying it out.  I won't go into the details, but it was interesting enough that I came back a couple of times to learn more.

About then I got a call on my walky-talky.  It was given to me by a friend so we could link up when he got in.  After quick directions, I headed for his camp.  He and his girlfriend were going to help me with my costume.


The Jellyfish

As I said, the theme of this year's Burning Man was "Floating World" so the week before I came out I made a 40-inch diameter jellyfish out of PVC pipe and covered with a white translucent fabric.  The PVC formed a dome which I attached to a plastic helmet.  To this I attached my blinking light which caused the fabric to light up nicely.  Finally, I then cut "fringe" out of mylar and hung it from the rim of the dome.

Next, I cut a hole in another piece of white fabric to put my head through forming a simple robe.  This is where my friend came in.  He had this blue "light wire" which I wanted to tape inside the robe.

The overall effect turned out better than I thought, especially at night.  Darkness hides a lot of rough edges.

Other people thought so too, even before I added the light wire.  Right after I left my camp I was in total darkness except for my flashing light.

I heard someone say, WOW!.  I turned.  It was a guy laying on a couch.  He said, "You're going make a lot of people happy tonight".  I thanked him and took it as a good omen.

Every few hundred feet or so someone would stop me to take my picture.  I started trading my poses for hugs as I danced around making the mylar move.  Remember, you CAN'T be strange at Burning Man.  I must have hugged 20 people just getting over to hook up the light wire.  It was fun being a jellyfish.

We got the wiring done and I stayed for dinner.  Then we all headed out to party.  My friend had a clear female plastic torso with light wire in circles around the tits and different colors at the "V".  He strapped this to his back and in the dark was VERY confusing Because other women were doing the same thing with light wire on their actual bodies.  In the dark, he looked like a woman walking backward.  Remember, you CAN'T be strange at Burning Man.  His girlfriend was a jellyfish like me, but a simpler one.  We were set.

Early evening is when the party starts.  It gets hard-core at midnight.  Everyone is dressed up and there is lots of dancing, drink, and general craziness.

In time we got separated which is VERY common and to be expected.  Even with a special pattern of light wire, it's difficult to keep track.  And without it, hopeless.  With me being inside this jellyfish, it was hard to see out.  I lost track quickly.

Once alone, I began to entertain.  I would watch the crowd to find someone who was fascinated by my costume then begin to circle them (yes, I DID favor the single females).  This would often start them laughing and allow me to pop the rim over their head and surprise them.

This brought them "inside" and we could start this little dance as I informed them they had been "captured".  Some would laugh and run away.  Others didn't.  Soon I ended up dancing with one and talking to her for a long time.  Then we started kissing.

She was from Denmark and was having trouble understanding me but our movements were communicating perfectly.  She had on a fur coat and thin skirt.  I had only a thin piece of fabric.  It became an erotic dance.  Soon she realized how erotic.

She started laughing and saying "Oh, no... Oh, no".  I gave her a final kiss, leaned back my jellyfish and let her out.  As I blinked into the night I looked back to see her smile in the flashes of light.  The guy on the couch had been right.  I had made someone happy.  No regrets.

I had other gimmicks too.  I carried a backpack with lots of different stuff.  One thing I had was a zip-lock full of soft gummy-worms.

Sometimes as I danced around a target, I would take their hand and pull it into my bag of gummy worms.  At first, some would squeal as they touched them, then recognize the feel pulling out a "tentacle" to eat.  That was my cue to dance away and leave them smiling.  It was one way I "gave".

Other times I would pull into a camp, take off my jellyfish and relax.  I got to talk to a lot of people that way.  No introductions were needed.  Everyone was SO open.  It was a fun time.

This second night I lasted till two o'clock then went back to my camp and slept till sunrise.


Second Sunrise

I almost always wake up at sunrise and did this Friday morning too.  I put on my desert gear and headed out for some serious art viewing on the playa.  I took the camera because I hadn't been getting many pictures yet.  This time I would focus on an objective - take pictures.

Oops... Already distracted.  I really wanted to climb up in the Kaleidoshpere.  It was this set of three huge spheres one within another and rotating at different rates.  It created a strange moving frame of reference.

At other events, the machinery of something like this would be roped off.  Not here.  A narrow tunnel led to a ladder which I climbed.  At the top, I found myself in the inter-most sphere.  There were six other people here sleeping, talking or just waking up.

One blond girl's eyes got REAL wide once she woke up.  Her world was moving in circles.  Or at least I'm sure it felt that way to her.  It was only another illusion, but it startled her.  She must have climbed up in the dark and fell asleep without seeing the effect.  It probably still seemed like a dream.  Just more illusion.


More Art

Next, I went to the far end of the playa past the Temple of Joy.  On the way I saw lots of interesting "stuff".  In one big area were thousands of pairs of shoes circled by American flags.  It took a minute to realize there was a pair of shoes for each life lost in New York almost one year ago on 9-11.

Another work was of fish swimming up out of the playa.  They looked so real, almost like they were in water.  The playa makes a great canvas.

Farther out was a HUGE yellow rubber duck.  It must have been thirty feet tall and could be seen from the Temple of Joy.  Much of the artwork on the playa "disappeared" as you walked away because of the distance.  The duck didn't.  It was a BIG duck.

Finally, near the fence I found a bunch of people about to start some mud bath event.  Everyone got totally naked and started rubbing mud on each other which was provided by the "officials".

There was also a hundred foot long "slip-n-slide" I suspected would become part of the process.  But I had told my friend I'd be there for lunch so I headed back.  I didn't get to see what happened.  Again, you can't do everything.  So you do what you can.  I DID get some pictures of them covering each other with mud.


The Storm

After lunch I went back to the Poly place and met a mostly new group of sexual/emotional artists.  The word "compersion" was defined and contrasted.  One very attractive oriental lady was next to me.  As she talked, I realized she was ready to have an affair but was trying to do it in some honest fashion - polyamory.

The wind came up.  A storm was blowing in.  Almost everyone left, but this lady and I kept talking.  The discussion became quite involved.  The winds increased.  The air became white with playa dust.  Her coal black hair began to turn gray.

Someone handed out face masks.  I pulled out my goggles.  She put on her glasses and mask.  We kept talking.  Soon we were alone.  Again, I was due back at my friend's camp but I got her email address before I left.  I wonder if she'll answer (BTW, she did and we've become email friends).

By the time I got to my friend's place, it was a total whiteout.  I took a picture of a bike in front of me because I could barely see it.

From his camp, we just watched the storm move across the playa.  There wasn't much else to do.  Soon the dust died down and I took off my goggles.  Much of the "white out" was simply dust on the lenses.  Even nature was providing illusion.  Strange what we believe we think we are experiencing.

Next, the lightning started.  Then the rain.  It was just enough to settle the dust but not enough for mud.  In an hour the storm broke and a rainbow came out.  Another sign of a perfect week?  It really WAS good weather.  85 degrees in the day, 50 at night.

I borrowed my friend's bike and did a ride-about.  It had a different feel.  I liked walking better but the bike was good for going to a particular place.

After getting some pictures, I bought the bike back then went to get into my jellyfish.  This night I had a different story and a new trick to try.

I duct-taped a tube of KY jelly to my helmet inside the jellyfish.  This way I could "palm" a squirt of KY then shake hands with a target.  It made them squeal as I handed them a paper towel and asked what they would expect from a jellyfish?  The point was surprise.  It worked.


Thunder-Dome

I came to Thunder Dome several times while at Burning Man but never got to see a "fight".  Either it was too crowded to get close or no fight was going on.  This place was a lot like the movie of the same name and of course VERY popular with the Road Warriors.

Finally I decided to take off the jellyfish and at least climb up the dome.  It was about 40 feet high and 80 feet wide.  When I got near the top, I met a couple and started talking.  It was nothing major but seemed so funny to be having a conversation in such a strange place in such strange clothes.  I climbed down and continued on.


Getting my Tentacle Eaten

At one point these two gay guys came up to my jellyfish doing the oooow...  ahhhhh... thing and one of them said, "You are beautiful!"

I thanked him as the other one said, "Can I feel" as he played with the mylar.  I pulled his hand into my backpack.  This surprised him.

I said, "I'll even let you eat it".  He found a gummy worm, pulled it out and started laughing.  I may not be gay, but I DO know how to tease.  Again, I left them wanting more.

This night I stopped at several parties.  I had a few drinks and maybe a contact high from this one crowded tent.  I was feeling good and watched a number of couples around me getting seriously sexual.  Later walking back, I watched a girl giving her boyfriend a blow-job but I only watched for a couple of seconds.  I didn't want to break their mood.

That was the only REAL public sex I witnessed but I did hear a bit more in tents at different times.  To be honest, I think most people were so tired, a lot of sex didn't happen.  But who knows?


Barter Bars

Apparently, a few years ago people started sitting up tents and others would bring in ice, soda, and alcohol.  The guy who owned the tent would mix the drinks.  These came to be called barter bars because you were supposed to bring something in trade.

Since it violates the spirit of the gift economy, the bartering aspect is no longer cool and is less common.  Usually they just pass out free drinks.

There was one exception.  I walked into this one bar which turned out to be a BDSM place.  The guy would give me a drink but only after I pulled down my pants so he could spank me.  I had my costume on and didn't want to tangle the light wire so I declined and moved on.  But others were taking it on the ass for a drink.


Back Streets

To bed by three.  Up at dawn.  No dreaming but I felt refreshed.  It was like that each night, play hard, sleep hard, no dreaming.  I think I tended to get woken up before I got into the light dreaming state.  And when awake, I wanted to see something.  ANYthing! EVERYthing!

This morning I took the back streets and found lots of minor art.  Even many of the camp names were entertaining.  One was "Victims of Masturbation".  There was also, "Camp FUCK" with an eight-foot tall sign.  Others I liked were "Bureau of Artistic Licensing" and "Blow-jobs for the Needy".


Smacking Her Ass

One camp I walked by had a girl screaming in orgasm.  Or was it pain?  I stepped in to check it out.  Several others were watching too.

Two women and a man were doing all kinds of things to this female subject who was lying on a table face down.  The women were rubbing her all over and the guy was smacking her ass with a paddle.  It seemed pretty real.  Not like those fakey movies.  She wasn't shy about expressing herself either.  The moans were authentic.  Did I say there wasn't much public sex?  Well, this WAS in a tent - sort of private but definitely sexual.


Answers and Paint

At another site, you could write a question and the next day there would be an answer.  Some were serious.  Some were funny.  It was interesting to see what people wanted to know about their lives.  I spent a lot of time there reading.

There was also lots of places that did full body painting, tit painting, genital painting, sunscreen application and bush trimming.

Always nearby were places you could get your feet washed, your hair washed or a full "carcass" wash.  Yes, painted naked people would step up and people would rub all the paint off.  Lots of skin to skin contact with strangers.  But like I said, this place felt like home.  It was cool.

There were also free massages almost everywhere you looked.  And foot rubs.  And head rubs.  And finger rubs.  And pelvic rubs.  Lots of rubs.

Probably the strangest thing I saw that Saturday morning was a guy with a three-inch nail all the way through his penis just behind the head.  He seemed proud of it.  I wonder if it ever got him laid?  It certainly got him some attention.

Anyway, you get the idea.  These were the little camps.  I've only mentioned the more aberrant ones.  There were also hundreds of more normal ones like Chocolate Gypsies, Bicycle Repair, and Roller Disco plus lots of trampolines.  One guy was cutting Pepsi cans into strips then weaving them into a fabric.

After the walkabout, I headed to the Poly camp again to see if the oriental lady would be back - no luck, but it was interesting so I stayed a while.

The afternoon was getting hot.  I went back for a nap.  Tonight would be the big night.  Normally everyone was scattered through the city at different gatherings.  At sunset, it would become like "Dawn of the Dead".  Everyone would turn toward the Man and walk like zombies.  That's when I would realize how many people there were.


Burn the Man - Save the Man

I awoke as the sun was setting.  After a quick dinner, I got the jellyfish on and joined the march to the Man.

They had set up a perimeter of about a third of a mile out.  I found a place upwind and took off my jellyfish so others could see over my head.  We were about 20 deep and a mile around.  I was just behind those seated.  I had a good view.

From the Temple side of the circle came a parade of fire-breathing machines and art cars.  Lots of Road Warrior stuff.  It took them a half hour to get all the way around.

Next came the fire dancers.  And not just a few.  There were easily a thousand of them.  You could barely see the ones on the other side but they too kept moving.

It's important to note, this is not a well-rehearsed parade like you would see at Disneyland.  Some were very good at it.  Especially the fire eaters.  Others weren't.  I saw one drop and roll as he caught his shirt on fire.

I also heard one fire-eater had encountered a change in wind and caught a face full of fuel earlier in the day.  They flew him to Reno with burns on his face, but in fair condition.

Anyway, what these guys lacked in practice, they made up for with enthusiasm.  It was a great show.

Finally, the field was cleared and the big blue man raised his arms - the sign he was about to burn.  Then one arm's lights went out.  Like I say, shit happens.  But the crowd cheered just the same, "Burn the Man" or "Save the Man".  Or both.

The fireworks started.  Lots of them all at once.  Then flames erupted at the base.  It took a few minutes for the blaze to climb the structure.  Soon ALL the man's lights went out.

Then something strange started happening.  The breeze was just right.  A funnel of smoke and flame formed at the downwind edge of the fire.  It was taller than the man himself and began to move away independently toward the crowd.  It was like a large dust devil or very small tornado.  People screamed and cheered.  It was fun to watch.

Then the man fell and sparks reached for the sky.  Just then they let the fence down and much of the crowd ran forward to the flame.


Mr. Right

I stayed holding my jellyfish.  It was too crazy in there with this costume.  There was another lady standing beside me.  We started talking.  Everyone does.  You got to know a lot of people this way.  She was here because she had just turned 40 and her baby clock was ticking frantically.

She was looking for Mr. Right so she could get pregnant and make babies before it was too late.  She figured this was a good place to find someone open-minded and understanding.  She was SO straightforward.  She asked me for a ride back to Reno Monday morning.  We made arrangements but she never showed up.  Oh well.  That's how it works. I'm sure she found a ride. I'm not Mr.
Right anyway. Been there. Done that.

I once again headed for the music to the west.  And this is a good time to talk about the music.  There were all kinds...  live, recorded, techno, metal, country, and rock.  Everything EXCEPT rap.  Interesting...  Too negative?  Demographics?  Who knows.


Jellyfish Dance

Anyway, I started my dance of the jellyfish again looking for people to entertain.  I had a new approach.  I told them the mylar tentacles had a special neuro-toxin.  It lowers inhibition.  I would swoop around barely touching them with the mylar strips.

The first women I explained this to said, "But I have no inhibitions", as she came inside the jellyfish and started rubbing her body against me.  I laughed.  She'd caught me off balance.  My bluff had been called.  I gave her a gummy tentacle to eat and danced away.

The next one went better.  She was an older lady and kept saying I was beautiful.  She might have been on E.  I'm not sure.  Anyway, I captured her and we began to dance.  Her guy looked on.  She was good with her movement and getting VERY sexy as she rubbed against my leg.  We started talking.  She was down from Alaska with her husband.  She said she loved to flirt and "play".  He liked to watch.  I wasn't sure exactly what she meant by "play".  How far would she go I wondered?

When things started getting too hot, I pulled away and said hi to her husband.  She asked how I liked her costume?  I looked at her as my light flashed on and off.  She was in leather chaps with strings behind and a naked ass.  She looked good.  My light turned off.

Just then her husband turned her back around and said, "look at this".  As my light turned on, he held her legs apart to reveal a purple frosted bush with just a hint of labia showing.  This was definitely an invitation, but what limit? There was risk. My light turned off.

My hand moved in the dark, then quickly moved again.  The light came on.  Her eyes were open wide and she had a big smile on her face.  Then she began laughing.  The husband looked confused.  I drifted away.  Had I gone too far?  Probably.

Anywhere else I might be accused of sexual assault (or is that battery?).  Here, it was just another form of interactive art, yielding a smile.  And I suspect, a memory.


Toasted E

Speaking of E, I walked into another bar and an attractive young girl came up to me as I was taking off my jellyfish.  She hugged me and introduced me to everyone.  Someone fixed me a drink.  She kept literally hanging on me and talking about everything.  She didn't seem to want to let go.  We got into a long discussion.

She was of course totally toasted on E and was waiting to mellow out to a nice "roll".  I played with her perceptions challenging her with different words and logic just to explore her emotional frame of reference.

It's interesting to watch people try to think when all they can do is feel.  After a while, her boyfriend came back and they went to the playa to "do" the art.  I'm still not sure what that meant.  With my limited vision we got separated, so it was back to the street for me.  An hour later in front of one of the biggest clubs I was doing the jellyfish thing again.  There was a "mermaid" with a guy next to her.

She called out, "Oh jellyfish.  We're both sea creatures".  And she was too.  A beautiful sea creature - totally naked except for blue paint from the waist down.  I think she was completely shaved but it was too dark to tell for sure.

I did my dance and "captured" her.  Then she started her own dance and I focused on the small of her back just above her ass as I held her tight.  It felt really good.  She began to moan.  It was getting even better.  I felt her nipples through the fabric I was wearing.  I felt the light wire between us as she pushed against me.  I looked at her guy.  He seemed OK with this.

But in a second she pulled back saying, "I need to breathe".  I did too.  I took her hand and pulled it into my pack.  She pulled out a gummy worm and smiled.  I danced away just in time.

She was WAY too tempting and I wanted to leave her wanting more.  "DAMN!", I thought.  It's amazing what you can do with a silly costume and the right attitude.  Well, at least at Burning Man.

A hundred yards into the darkness I changed my mind and turned around.  I headed back for more.  But I only went a few steps.  No, it was just too complicated.  Better this way.  I continued on with a nice memory and a smile.


Another Mermaid

I slept well that night in spite of the noise.  I slept hard - no dreams.  I was tired I think.  I woke up with the sun and headed out on the playa for some more photos of the Temple of Joy.  I saw other things along the way.  You just can't help it.  The trick is to reach your destination without getting too distracted.

One was this guy in camp working on his mobile art.  It was a mini bike with mermaid laying face-up along its length so that he sat across her thighs.  Her arms were the handlebars, the top of her head was the headlight.  This put her breasts at about the gas tank which is where his attention was focused.  He was rubbing her breasts.  It looked kind of kinky and I ask him what he was
doing.  "The left one popped last night and I had to patch her up", he said.  I reached out and felt her tit.  It felt pretty real.  I ask what was in it.

"Water", he answered.  "It feels pretty good", I said. Just then another guy walked by and heard us.  He started laughing and said, "You guys are SICK!".  I laughed myself thinking how it must look.  See how easy it is to get distracted?

Here's another one.  On the way, I saw this guy on top of a boat which was on top of a car.  He was about 20 feet in the air painting a huge picture of the Man burning from last night.  It was nearly complete.  Had he been there all night?

I stopped and took a picture and then realize I was creating art (photo) of a guy creating art (painting) of more art (Burning) of a piece of art (Man) on top of another piece of art (boat) bolted to yet a final piece of art (car).  I stopped and explained this to him.  He laughed and said you can't escape it out here.  But I did.  I got my focus back and pushed on.


Temple of Joy, Take 2

Again into the playa.  I got some good early light pictures of the Temple as I approached.  When I entered, I noticed this young blond guy crying his eyes out.  He was literally sobbing.  His shoulders were shaking.  He couldn't have been more than nineteen years old.  He was very distressed to say the least.  I wanted to hug him, and I don't hug many guys.  Well, except at Burning Man.

Anyway, I wondered at his pain and how this structure brought it out.  I looked around.  There were so many others.  And it was so early in the morning, normally the quietest time on the playa.

I realized thousands had made a pilgrimage here to write their pain, joy and hopes in the last few days.  Strange how one man's creation could bring such focus to so much emotion.  This was indeed art.

It affected people with its beauty and its proposition.  I reached into my pocket, found the matches.  I threw them high into the structure.  I heard the small box bounce to a stop on some piece of wood.

I thought about my wedding.  I thought about my wife.  Then I thought no more about either.  I moved on to find more art.

As I went back to my camp, people everywhere were packing up to leave.  About a third would be gone before the day was over.  Their party was about celebrating fire and art.  That ended as the Man's ashes cooled.  Burning the Temple of Joy was more about sorrow and hope.

As I walked through the camps I realize it was more of the Road Warriors and Ravers leaving.  More of the Artists and Hippies were staying.  Work-related?  Distance?  Devotion?


Mylar Sailing

At camp I decided to do something different for this final day.  I had a big sheet of Mylar left over and made some plastic handles out of packaging at hand.  I created this big Mylar sail that I could fly in the wind by holding my arms out.  It was like when I was a kid playing with the sheets when my grandmother was hanging out laundry.

By working with the wind direction just right I could also create a lot of shade.  That became my gift.  It was a hot morning - no clouds.  I began shading people as I walked down the street.

Soon I met this black Jamaican guy from New York.  He took one handle, I the other and started doing escort service.  We met lots of people, got cold drinks, hugs, and kisses.  It was fun.

But the party was ending.  People were leaving.  My Jamaican friend said goodbye and moved off.  My arms were tired.  I went back to camp and slept.


Attack of the Road Warriors

I was awakened by someone with a bull-horn shouting, "We want vagina. We want penis", over and over.

I walked outside.  Three Road Warrior cars had pulled up to the next camp over.  Five guys and two girls were standing on top of their car in leather and spikes yelling the chant.  Finally, a guy in the camp stepped out of a rental truck and dropped his pants.  They cheered and clapped.

The Road Warriors next switched to only the "We want vagina" chant.  Behind the guy, a girl with long dark hair walked out, pulled up her skirt and bent over at the waist.  They got vagina.  More cheers!  Next, they drove a little ways down the street and started chanting again.

This was the kind of random stuff that went on all the time, and I have to admit, the Road Warriors DO create an entertaining show.  I fell back asleep with a smile on my face.  Burning Man is the only place you wake up TO dream, then fall asleep to NOT dream.


Burning the Temple

At sunset, I got up and had dinner.  It was time to burn the Temple.  I didn't wear my jellyfish.  I didn't take the sun-sail.  It was getting dark.  I wore my desert clothes with my blinking light for safety.

There was a smaller perimeter around the Temple than there was around the Man.  We were fewer.  We were closer.  Again I was careful to stay upwind.  As I waited, I talked to everyone.  I'm nosey.  Each had a story.  Each had a reason for being there.

A few feet away was a guy in a long white robe reading from the bible.  Now, I'm sure a lot of people did NOT want to hear what he was reading, but they let him read - a testament to the tolerance of Burning Man.  He had a captive audience - for a while.

Soon another guy came along the inside of the line shaking hands with people.  It was David Best, the artist who designed and lead the building of the Temple.  He was thanking people for bringing their pain, hopes, and dreams to his temple.  I said, "We should be thanking you".

"No", he responded with a smile, "This is MY turn".  He moved on.  I was impressed.  The Burning Man force was strong in this one too.  He was about to perform mass psychotherapy with his art.

The crowd was smaller than the night before but still many thousands of people.  There was yelling and cheering just like the night before.  Then it all changed.

You could barely hear it at first, but they had started playing some Buddhist music.  Everyone got quiet.  It was amazing.  The crowd became perfectly silent in only seconds.  It never works this well when they sing the national anthem at ball games.  Here was the biggest group of non-conformist I have ever seen, perfectly conforming to a social cue.  I was amazed.

It was so quiet you could hear the wind which had died down.  And then you could hear the flame.  The fire had started inside the Temple.  The music changed.  Someone began singing "Amazing Grace" over the PA system.  Except for this single voice, there was quiet.  People watched in silenced.

With all its wooden lace, this structure had more air than the man.  It burned faster and hotter.  The flames also went higher than the night before even though it was a shorter structure.  It was indeed a beautiful fire.

Then the fire/smoke funnels started again just like the night before.  Not just one this time, but many. They would form in the flame and move slowly downwind becoming smoke.  There were two or three moving around at any given time.  Some made it all the way to the line of people.  It was if giant ghosts were dancing on the playa saying good-bye.

As the music stopped, someone released a bunch of doves which then flew circles around the fire. The structure collapsed into itself.  Only then did the crowd cheer and move forward like the night before.

Again, I stayed put.  It was a nice sharp line in time.  My matches were gone.  So was my marriage.  It worked for me.  This was the most beautiful experience of the entire week.  THIS was worth the price of admission.

As I stood there watching it burn, a guy next to me said, "When we get back, people are going to ask us to explain what it was like out here.  There's just no way to do it".  He's right.  Words do it no justice.  But these are the best I can find.

I walked back along the main street.  I stopped at the Lost Penguin and talked for a while.  I could hear the Rave camps in the distance still throbbing, but most other places had already closed down.

It was a more quiet night.  I went to bed early - well, just after midnight.  The fireworks and rockets continued in the distance but I slept well.  I then packed up and left just before sunrise.


Conclusion

Burning Man isn't a party for everyone.  If you hate dirty, dusty camping, it's not for you.  If you hate lots of noise and music, it's not for you.  If you don't like people being REAL friendly REAL fast, it's not for you.

On the other hand, if you like to watch the range of creative human expression, this is an amazing place to be.  If you get involved, it's even better.

Here's a good test.  If you liked the movie "Harold and Maude", you'll like Burning Man.  Especially the part where Harold gives Maude his special coin and she quickly throws it into the San Francisco Bay.

Harold looks at her in astonishment and asked why she did that.  Her answer was simple and direct, "because I'll always know where it is".

That's how it was with the Temple of Joy.  You take your grief, your pain, and your joy, you put it in a beautiful place then watch it burn.  You'll always know where it is.

Later in the film when Maude's dying, Harold says, "You can't die.  I love you".

She answers, "Go and love some more".

That's how it is at Burning Man.  You go find some new friends.

One last warning.  Your experience will differ from mine.  Your mileage WILL vary.  But don't let that bother you.  Take it as it comes.  Try to have no expectations, no requirements and you'll be rewarded.

Yes, I will go back next year.  It's a little sad for me.  I'll be a virgin no more.  But I still expect the unexpected.

Will YOU be there?

Zen Heretic



12-21-17 One of the few videos from 2002

Instead of Burning Man...

(These just get better and better...)

Pay an escort of your preference to not bathe for five days, cover themselves in glitter, dust, and sunscreen, wear a skanky neon wig,dance naked, then say they have a lover back home at the end of the night.

Tear down your house. Put it in a truck. Drive 10 hours in any direction. Put the house back together. Invite everyone you meet to come over and party. When they leave, followthem back to their homes, drink all their booze, and break things. Stack all your fans in one corner of the living room. Put on your most fabulous outfit. Turn the fans on full blast. Dump a vacuum cleaner bag in front of them.

Buy a new set of expensive camping gear. Break it.

Lean back in a chair until that point where you're just about to fall over, but you catch yourself at the last moment. Hold that position for 9 hours.

Only use the toilet in a house that is at least 3 blocks away.

Drain all the water from the toilet. Only flush it every 3 days. Hide all the toilet paper. Set your house thermostat so it's 100 degrees for the first hour of sleep and 50 degrees the rest of the night.

Before eating any food, drop it in a sandbox and lick a battery.

Spend thousands of dollars and several months of your life building a deeply personal art work. Hide it in a funhouse on the edge of the city. Hire people to come by and alternate saying "I love it" and "dude, this sucks". Then burn it.

Set up a DJ system downwind of a three alarm fire. Play a short loop of drum'n'bass until the embers are cold.

Make a list of all the things you'll do different next year. Never look at it.

Have a 3 a.m. soul baring conversation with a drag nun in platforms, a crocodile and Bugs Bunny. Be unable to tell if you're hallucinating. Lust after Bugs Bunny.

Cut, burn, electrocute, bruise, and sunburn various parts of your body.Forget how you did it. Don't go to a doctor.

"Downsize" last year's camp by adding two geodesic domes, a new sound system, art car, and 20 newbies.

Don't sleep for 5 days. Take a wide variety of hallucinogenic/emotionaltering drugs. Pick a fight with your boyfriend/girlfriend, or both.

Spend a whole year rummaging through thrift stores for the perfect, most outrageous costume. Forget to pack it.

Shop at Wal-mart, Cost-Co, and Home Depot until your car is completely packed with stuff. Tell everyone that you're going to a "Leave-No-Trace"event. Empty your car into a dumpster.

Listen to music you hate for 168 hours straight, or until you think youare going to scream. Scream. Realize you'll love the music for the rest of your life.

Spend 5 months planning a "theme camp" like it's the invasion of Normandy. Spend Monday-Wednesday building the camp. Spend Thurs-Sunday nowhere near camp because you're sick of it or can't find it.

Walk around your neighborhood and knock on doors until someone offers you cocktails and dinner.

Bust your ass for a "community." See all the attention get focused onthe drama queen crybaby.

Get so drunk you can't recognize your own house. Walk slowly around the block for 5 hours.

Tell your boss you aren't coming to work this week but he should "gift"you a paycheck anyway. When he refuses accuse him of not loving the"community".

Search alleys until you find a couch so unbelievably tacky and nasty filthy that a state college frat house wouldn't want it. Take a nap on the couch and sleep like you are king of the world.

Ask your most annoying neighbor to interrupt your fun several times a day with third hand gossip about every horrible thing that's happened in the last 24 hours. Have them wear khaki.

Go to a museum. Find one of Salvador Dali's more disturbing, but beautiful paintings. Climb inside it.

Or just go to Burning Man!

See you in the dust!

Burning Man Panomatics

Burning Man is a target-rich  environment for photographers.  And you see them everywhere you go.  They are using everything from camera-phones, to Nikons, even full video.  But here's one camera I didn't noticed while it was happening.

These images appear to be from some kind of spherical 360 degree camera of some sort, with some very careful reconstruction.  However it's done, the result is amazing.  If you aren't careful, you'll make yourself sick dragging the mouse around.  Almost like waking up Sunday morning after the Burn.  But what a powerful viewing tool!

Plus, this one tour covers a LOT of Burning Man 2009.  Imagine how many photos you'd have to click through to gain this perspective.  And the night scenes are great - almost like being there!

So if YOU want to control the camera at Burning Man, click through...

Burning Man Panomatics

Don't forget to use your scoll-wheel for zooming.

Comment from Dave Cline -  - Welllll... This is what I THINK made the pictures:

0-360.com

The Life Lessons of Burning Man

It's been said, words can not do justice to the experience that is Burning Man. And it's true. I've tried, over and over. But here's a a guy who has at the very least framed it nicely - and I suspect hit it square on the head - at least for himself, Mark Morford. Not only is he an excellent word-smith, he GETS it! But your mileage may vary.

Now I'll get out of the way so you can read HIS take on Burning Man - EXCELLENT stuff...

The Life Lessons of Burning Man

Another good column on the topic - Thanks Mark.

The Truth About Burning Man

Poly Shade Design

(First storm 2008 - Note the standing waves in the sequential sections. An awning might have limited damage, and did in later version.)

Much of this content was first posted August 22, 2008, just before I left for the playa. 2008 turned out to be the worst week for wind storms I've experienced in my seven years at Burning Man. It was even worse than 2007. I learned a lot in only a few days. This post was updated in 2009 and finally again in 2016.

It's not obvious, but stress is the key to this design in using poly-plastic to create shade AND have it survive up to 80 MPH gusts - or not as the case may be.

The first element of stress is because PVC pipe only becomes somewhat rigid when bent into an arc and held in a plane. Yet it also flexes and kneels when the wind blows. Second, the canvass itself forms a stressed skin structure holding the PVC ribs in their plane. These stresses compliment each other, yet yield to the wind instead of breaking.

Technically this design is an ultra-light, bi-stressed poly shade structure - Poly Shade for short. I believe it's the cheapest, lightest method to shade almost 3000 square feet. It goes up fast and comes down even faster.

Several people have asked how they could build one. Below are detailed construction plans.


Design History

As I discovered with the Zen Hammock, PVC is an interesting building material. It's cheap, light, strong, flexible and can be easily worked. That's why, next to duct-tape, it's the most popular building material on the playa during Burning Man.

I decided to use PVC and Tyvek to hold up a LARGE shade structure in 2005. I planned for 70 feet long by 38 foot arch base. The PVC worked fine. The Tyvek didn't. We only got half of it up shading only 35 by 38 feet for a total of 1330 square feet.

Also that first year, I kept each rib in a plane by rigging with ropes. This was too complex and the ropes wore holes in the Tyvek fabric when buffeted by the wind.

In 2006 I switched from Tyvek to poly-tarp and dropped the rib to rib ropes. Instead, I used the fabric itself attached with ball-bungees to hold the ribs in a plane. This simplification turned it into a stressed-skin structure which worked well. I also spread the base to 40 feet which dropped the top of the ribs just enough to reach from the motor-home.

In 2006 we used five ribs and four sections of twelve foot wide tarps. This gave us a foot print of 40 feet by 50 feet (including PVC width), for over 2304 square feet of shade.

In 2007 I expanded the length one more section giving us just over 60 feet by 40 feet and 2880 square feet of shade. I also replaced the side PVC with simple rope anchors, but poly-stressed was about to take on a whole new meaning.

2007 had the worst and most consistent winds with the largest gusts of any year I've been at Burning Man (until 2008!). Once we finally got it up (wind problems), the structure flexed and kneeled in the wind all week. Thursday and Friday brought a thunderstorm each day. By the end of the week, one t-post broke off right at the playa and another had pulled out of the ground. Many of the grommets had pulled out and tarp was flapping in the wind. The design had been out to the limits.

The biggest problem was, because of the wind, we didn't get a good initial rig and the ribs were out of plane. The structure kneeled right away pulling grommets out. Once weakened, it just got worse. More rigid ribs would also have helped.

In 2008 I plan to increase the internal links from 4 to 20 feet on the end ribs and 4 to 10 feet on the rest of the ribs. I also plan to extend it one more section to over 72 feet giving us 3456 square feet of shade and making it finally larger than my original design.

If you've read my Burning Man blog post for 2008, you know 2008 was worse than even 2007 for wind, and it wasn't short-term thunderstorms that caused the problems. It was sustained strong winds for hours on end. Sunday's storm was moderate, but still pulled apart the first and second ribs on the windward south end.

I had used the new design with longer links so I didn't think I needed centering tape. Looks like I was wrong.  Ten or even twenty foot links can shift around with enough bouncing. And then they come apart at the weak point. We lashed things down as well as we could Monday morning just as the wind picked up again.

Monday's storm was far worse. It's 30 to 40 MPH winds went on for most of the day, all night and even into the next morning. They had to close the gate to Burning Man for six hours because of total white-out that evening.



(2008 Sunday / Monday Storm Damage)


By Tuesday morning there was little of the Poly Shade structure left standing. We took it all down except for three ribs which were still in fair condition. On Wednesday, we moved the few good tarps onto these empty rib sections. To help some of the camps in the sun, I also added an awning to the windward end. Not only did it provide extra shade, it seem to help keep the wind out of from under the structure, so it didn't jump as much when the next big storm hit on Saturday. Was this a clue?

My plan for 2009 is to return to the three rib design but on 16' centers as tarp weight does not seem to be a limit. The 20' links seem to just add more weight than rigidity. I will use 10' links and center-tape them as in earlier designs.

The biggest change will be awnings on both ends, plus four end ropes instead of three. This should hold the plane better. We'll see. Instead of joining the tarp sections with tie-wraps this year, I'll only join the corners. Then when on the playa, I'll thread a50' x 1/4" poly reef rope along each seam and tie it to the tarp corner at the anchor end. The other end will go over the center rib and allow for reefing of the awnings and to some degree the center sections as well.

I also plan to install the safety x-ropes from the top of EACH rib to the tire on a motor-home or other vehicle.  This should cut down on the "galloping" as well as insure the whole thing doesn't blow down playa.

Another line of defense against strong predicted winds is to add the ability to "reef" much of the canvas. My idea is to thread poly rope along the seams of the tarps in an "accordion" fashion so I can release the base of the awning tarps and pull and bunch them to the center rib.

My plan is to reef the trailing edge first, then the leading edge. This should reduce canvas by 50%. If it's going to be a bad blow, I could also release the end ropes and pull the ribs into the center rib using the reefing ropes. This should cut tarp area by a total of 75%. I'll let you know how all this works out.


Materials 2009 Design

Each  Description                                      Cost    Weight

8     5' steel t-posts                                  40      48
6    14" sections of 3/16" steel chain                  12
6    Chain QuickLinks                                   12

9    20' x 2 1/2" S40 PVC for ribs                     225      243
6    10' x 2" class 200 PVC for links 3 x 20'           45       36
6     4' x 1 1/2" class 200 PVC = 2 x 20' foundations   22
6     4' x 2" class 200 PVC = 2 x 20' foundations       34

16    12' x 16' Costco 10mm poly tarps                  144      112
72    8" Tie-wraps                                        4
300   8" Ball-bungees                                    75

6   1/4" poly X-ropes (6 x 25' = 150')                20
6   1/4" poly side-ropes (6 x 10' = 60')              10
6   1/4" poly reef-ropes (6 x 50' = 300')             40
8   3/8" poly end ropes (8 x 50' = 200')              16
8   Tension straps                                    80
10   Safety lights                                      40

Total $819    439 pounds


Site Tools

100' tape
Fence post pounder
Saw
Hammer
Fence post puller

Foundation Prep

Drill a 3/8th inch hole in the top of the flange of 6 five foot steel t-posts. Use a screw link to add 14 inches of 1 1/4 inch chain to each flange. This is where the side-anchor ropes will attach.

Cut 6 each of 1 1/2 inch class 200 PVC four feet long. Cut the same using 2 inch class 200 PVC. One each of these sleeves will fit over each steel t-post creating two internal layers to distribute the stress and keep the rib from splitting out at the bottom. These three elements make up the "foundation".


Rib Prep

Each rib is made up of three 20 foot 2.5 inch S40 grade PVC pipes. An internal 10' "link" of 2 inch class 200 is used to distribute the stress at each joint. For the first three years, this link was four feet long. In 2009 I'm using 10 foot links. This should make the ribs more rigid but still light-weight.

Cut the six inch flange off of three 20 foot class 200 2 inch PVC sections. Cut them in half of as (just under) 10' internal links for the center ribs. Wrap six layers of duct tape at the center of each link, staggered over a five inches of pipe to form ramped peak of tape in the very center.

Black mark the center as well as 4 inches in from the non-flared end of each S40 rib section.

Load for transport - I had room to put them inside my motor-home but I had to crawl over top of them so load them last. If you load them on a roof as I did one year, note their total weight and the effect it has on handling. I could feel it. Also make sure the load is secure.


Tarp Prep

Drag out the tarps and grade for similar size along the 16 foot sides. Try different combinations until the corner grommets line up, as size is inconsistent with these cheap tarps. Alternate colored sides if you want a checker-board pattern when you're done.

Fold up tarps and strap with tension straps.

Load for transport.






Playa Construction

Pick a site where the center-line of the end anchor ropes will point to Gerlach if at all possible. That is where the most common winds come from. The point is to have the wind go up and over the awning structure instead of hitting the side.

Plot a line 92', 9" long with the ends as the end rope anchor points. At 30' in, swing a 20' arc about 90 degrees to the long line. Next sweep a 36' arc from the closest anchor point. Set a corner post where the two arcs cross. Repeat for each corner.

The center rib post should be midway between these corner posts at 16' 1.5" on each side. This should yield a rectangle just over 32' x 40' as a footprint for the structure. Measuring corner to corner at 51.22' to make sure it's on the square.

Drive in all rib posts vertically 16" or until firm, keeping chain above ground.

Drive in end anchor post at 50 degrees from the ground so the rope vector will be less than 90 degrees to the post, and therefor pull it IN to the ground.

Place 4 foot 1 1/2" and 2" foundations sleeves on all rib posts.

Assemble all ribs with 10' links.

First wrap the center of each link with 5 wraps of duct-tape beveled off along the sides of the wraps.

Mark small end of rib at joint 3" from the end. Using a wooden block, hammer ribs together until they approach the 3" mark. Duct-tape the outside of the rib joint to hold them in place until they are under stress. They will get tighter once the wind starts blowing.

There are lots of good knots. At times I've used a clove hitch, but most of the times just plenty of half-hitches.

Tie end ropes to end ribs at 15' and 25' from each end of the rib.

Add two X-ropes at one third points along the ribs (see Storm Management below).


Setting the Ribs

Place all ribs to the outside of the foot-print next to their posts ready to move into place. Drive the motor-home into the center of the footprint.

Raise and drape the first rib across the top of the motor-home.

With one person on top of the motor-home to stabilize the rib, one guy at least six feet tall to hold high, one guy to guide the end over the post, and up to two others for muscle, place the rib over foundation post on one side, and then the other.

Setting ribs is a tricky process. Using ropes, I actually placed one of these by myself once, but it's VERY difficult alone. With the right crew, it's quick and easy work. The key is cooperation. It's like lifting a piano - not as heavy, but more awkward. The rib seems to move on it's own like a huge snake until it's seated. The key is to work together, and don't ever leave just one guy holding all the force. These ribs can kick like a mule. It's not as bad as I make it sound - it's just a different kind of physical experience.

Back up motor-home to next rib position.

Repeat for all ribs.

Add a tension strap to each end rope and attach it to the anchor post, but leave it slack until tarps are in place.



Setting the Tarp

Wait for calm. This is important. Flapping tarps are difficult to bungee and pull tight. In the wind, you'll end up with a poor alignment and a weaker structure. I've done it.

Layout a tarp section for one of the center positions. Thread a 50' x 1/4" poly reef rope through each of the three seams. Pull the motor-home forward and drag the tarp section on top.

Line up tarp center seam with rib center mark to place first bungee. Or you can offset tarp to get more shade (or wind load) on one side or the other. Make sure any offset is the same on both ribs to keep things square.

Bungee from the center down each side pulling tarp tight as you go. If you can, work both ribs of the tarp at the same time to make sure it stays square. When a center section is done, secure the center end of the reef rope and thread the anchor end through the cooresponding seams of the awning tarp section which should be on the top of the end ropes. Secure the reef rope at the anchor end of the awning. Pull awning up on the motor-home and bungee to the end rib keeping it tight as before.

Repeat for both ends.

Add string lights to ribs inside structure to suit your taste.


Final Rig

Release lower end-ropes and pull to the side to drive in and park vehicles. I drive over an old tarp to use as a floor. Replace end-ropes.

Secure the two x-ropes of each rib to the tires of vehicles. Tying around the bottom of car tires works well if the rope angle won't rub the paint or wear against metal.

Adjust tension straps on end ropes to take any slack out of structure, but be careful that END RIBS REMAIN IN A PLANE and vertical. If the end ribs get out of plane, they will kneel in lighter winds and do more damage to the grommets.

Rig side ropes from tarps to post anchor chains making sure all slack is out of tarps.

Put PVC over end anchor posts for safety.

Add safety lights to end ropes at eye level and anchor posts.

Total playa construction should have taken about six hours.

Have a good Burn! :)




Storm Management

Depending on wind direction and strength, there are things you can do to improve safety and mitigate damage. Orienting the structure so the wind goes THROUGH the structure instead of against the side is the most helpful thing - (WRONG 2008 advice. Instead, use awnings to get the wind to go UP and OVER structure so that standing waves and oscillations don't start. This was learned in 2008 and is the approach I'll use in 2009).

If winds go over 30 MPH, you are likely to get "kneeling" where the ribs will deform, leave plane, and pull into an "S" shape in three dimensions. You'll know it when you see it.

Unless, the ribs are banging on something below, this will do little or no damage. The rib will pop back up on its own when the wind dies down.

If the wind goes over 40 MPH or you have bad gusting, you may get "galloping" where the ribs and tarps move in waves down the structure. This will tend to stress the posts, foundations, ribs, joints, grommets and tarps. I've even tied ribs down into kneeling position during bad storms to cut galloping and stress. (Let's see how awnings help this problem).

With bad galloping, I've seen the ribs jumping up their posts and off the playa more than a foot in bad storms. This is usually because the side rope grommets have pulled out or other damage has been done. Once things start breaking down, it just gets worse.

In 2007 one post broke off at the playa and another pulled out completely from galloping. In both cases, I added X-ropes to keep the rib secure and somewhat in position.

One important safety point to note is, if a post breaks or pulls out of the playa, it will want to jump out and may hit anything in the way (car, tent or someone's head).

Keep the area around the rib posts clear for this reason. Usually the rib (and post) will only jump a couple of feet and then dig into the dirt again. The tarps and bungees tend to hold it in form. But it's better to be safe and NOT take a nap next to one of these ribs in a storm. A tent will NOT slow it's kick much.


Rib De-construction

Tear-down goes much faster than construction.

Release end ropes. After a week in the wind, the ribs will probably sag over to the sides.

Hang on ribs and pop bungees off.

Fold and strap tarps.

Place one guy on top of motor-home to stabilize ribs as before, while up to four others lift them off of foundations. One person should grab and hold the PVC foundation sleeves down as the rib comes up so you don't have to lift as high to get them off. Watch your fingers as it pops off.

Another VERY important safety point here is these ribs may kick like a mule once they clear the post. Make sure AT LEAST two people have a firm grip until they are laid down.

Repeat for all ribs.

De-constructing the ribs can be difficult depending on how much pounding the wind did during the week. Use the motor-home to pull them apart. Tie a rope to the back of the motor-home and to one end of a rib. Tie the other end of the rib to one of the end posts. A timber knot or several half-hitches will usually do it. Drive the motor-home ahead slowly and they will generally pop apart. This process will take a while but works well and is safe if you stand well clear of the joint as it pops apart. One rib would NOT come apart after the storms of 2008. We broke two ropes and a STRAP trying. We finally sawed it in two.

Secure load for transport.

If you have any questions, please email so I can also update this post with your feedback.

And let me know how it works out if you give it a try.




2010 Version

In 2010 I made smaller ribs by only using two 20' PVC sections with only on 10' link.  this yielded only 25' wide base but also created a lower and more rigid structure which seem to stand up to the wind better.  The tarp awnings on each end also helped keep the wind from doing so much damage.  Well, once we got it in place.

As is common on the playa, the wind came up before we got all the tarps on.  We had to stop work.  And then it got worse.  By the next morning we had rain and a fair amount of tarp damage.  As soon as things dried out, we took the damaged tarps down and started over.  This time we got it stable before the next storm blew in.  Yep, it blew hard and rained again, but this time everything held up with no problems for the rest of the week.

This year (2011) I plan to use the same design except add on more rib for another 400 square feet of shade.  I'll let you know how it goes.



Materials for the 2011 Design

Each  Description                                      Cost    Weight

8     5' steel t-posts                                  40      48
6    14" sections of 3/16" steel chain                  12
6    Chain QuickLinks                                   12
2     5' steel t-posts (no chain) for end anchors       16      12





8    20' x 2 1/2" S40 PVC for ribs                     200      216
6    10' x 2" class 200 PVC for links 3 x 20'           30       36
8     4' x 1 1/2" class 200 PVC = 2 x 20' foundations   29
8     4' x 2" class 200 PVC = 2 x 20' foundations       45

10    12' x 16' Costco 10mm poly tarps                  100      70
48    8" Tie-wraps                                        5
96    8" Ball-bungees                                    30

6   1/4" poly X-ropes (6 x 25' = 150')                   20
6   1/4" poly side-ropes (6 x 10' = 60')                 14
6   1/2" poly end ropes (6 x 25' = 150')                 18
6   Tension straps                                       60
10   Safety lights                                       40

Total                                                  $671    382 pounds

2011 Layout

Plot a line 88', 7.5" long with the ends as the end rope anchor points. At 20' in, swing a 12' 6" arc about 90 degrees to the long line. Next sweep a 23' 7" arc from the closest anchor point. Set a corner post where the two arcs cross. Repeat for each corner.

Repeat this process for four ribs at 16' 2.5" on each side and 12.5' from the center line. This should yield a rectangle of 48' 7.5" x 25' as a footprint for the structure. Measuring corner to corner at 54' 8" to make sure it's on the square.

2014 Layout

Another change we made this year was to "reef" the tarps during bad storms.  If you simply push the bungees together on both ends of the tarp, it gathers in the center where you can wrap bungees around the bundle.  It obviously provides no shelter in this configuration but will withstand very high winds with no damage.  Then just redeploy the next morning when the wind dies down.

One final change we made was to use three tarps on the smaller 40' ribs with the top tarp overlapping the side tarps by two feet on each side.  This worked very well when we got a half inch of rain in 2014.  The water shed nicely.

Let me know if you use this design or have any questions.

Rod Coleman